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Sigma announced the 50-120mm F2.8 DC OS | Contemporary today, and with it the APS-C crowd finally has its holy trinity. Ultra-wide, standard, telephoto. All three at a constant f/2.8, all three small enough to live in one shoulder bag. The other two pieces …
Hyperfocal distance is the closest focus distance at which depth of field extends to infinity. Focus the lens there, and everything from …
There is a version of this review that spends its first paragraph apologizing for recommending an APS-C system with a third-party lens. This …
Some lenses age poorly. Others become oddly relevant years later. The Sigma 50–150mm f/2.8 for Canon APS-C cameras belongs firmly in the …
Sigma is making a very clear case that APS-C isn’t a stepping stone but a destination, and the new 15mm F1.4 DC Contemporary feels like a …
Sigma is revisiting one of its most important lenses, and this time it feels less like a victory lap and more like a careful recalibration. …
Sigma has always had a knack for filling in the gaps where traditional camera makers hesitate, and the new Sigma 20–200mm F3.5–6.3 DG | …
Sigma has announced a groundbreaking addition to its celebrated Art series: the Sigma 135mm F1.4 DG | Art, the world’s first autofocus 135mm …
Tamron’s release of the 11-20mm f/2.8 lens for Canon RF is a welcome addition to the growing range of third-party options for the RF mount. …
SIGMA Corporation of America, the U.S. subsidiary of the renowned Japanese lens manufacturer SIGMA Corporation, has made an exciting …