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Most of the arguments against fisheye lenses come from people shooting outdoors, where a bent horizon is an obvious mistake. Take one inside a domed church and the objection quietly disappears. There’s almost nothing in the room that’s supposed to be straight. …
Most street photography advice assumes you’re standing close with a 35mm, waiting for someone to walk into a doorway of light. That’s one …
A couple walking down a cobbled city street after dark, sharp from the cap on his head to the stitching on her coat, with a crowd of thirty …
Four dancers in saturated blue and red robes on a lit wooden stage, with everything below the stage edge falling away into an almost black …
Lyon, 15 July 2018, early evening, a few hours after France won the World Cup final. The frame was taken from inside a carriage rolling into …
An open kitchen is one of the least cooperative environments you can point a camera at. The light source is whatever the restaurant …
Concert photography operates under specific constraints: low and rapidly changing light, a no-flash policy in most professional venues, a …
The Canon R5 Mark II’s IBIS combined with the RF 15-35mm f/2.8L IS USM provides up to eight stops of combined stabilization according to …
The NIKKOR Z 58mm f/0.95 S Noct is a manual focus lens. Not manual-focus-by-default with an AF override — strictly manual, with no autofocus …
Walking into a dimly lit restaurant, camera slung over my shoulder, I couldn’t help but feel both excitement and trepidation. Shooting in …
