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    <title>backlight on pho.tography.org</title>
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    <description>Recent content in backlight on pho.tography.org</description>
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      <title>Contre-Jour with the RF 50mm f/1.2L</title>
      <link>https://pho.tography.org/contre-jour-with-the-rf-50mm-f/1.2l/</link>
      <pubDate>Sun, 03 May 2026 00:00:00 +0000</pubDate>
      
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      <description>Shooting directly into a light source is the fastest way to ruin a technically correct photograph and the slowest way to make a memorable one. The RF 50mm f/1.2L USM handles the contradiction better than it has any right to.
The technique is contre-jour — French for &amp;ldquo;against the day,&amp;rdquo; meaning your subject is between you and the primary light source. The light halos the subject, separates them from the background, and collapses foreground detail into silhouette or near-silhouette.</description>
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      <title>Shooting Against the Sun</title>
      <link>https://pho.tography.org/shooting-against-the-sun/</link>
      <pubDate>Mon, 30 Mar 2026 00:00:00 +0000</pubDate>
      
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      <description>There&amp;rsquo;s a rule they teach early in photography classes, usually delivered with the confidence of someone who has never broken it: keep the sun at your back. The logic is clean. Light falls on your subject. Your subject is properly exposed. Everyone goes home happy. It&amp;rsquo;s the kind of advice that produces technically correct photographs — evenly lit, well-exposed, and almost entirely forgettable.
The image I made in Kraków&amp;rsquo;s Rynek Główny on a bright autumn afternoon broke that rule completely.</description>
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